Art / Waste

'Art / Waste' in Throwaway: The History of a Modern Crisis, ed. Christine Dupont, Stéphanie Gonçalves & Emma Teworte (Luxembourg: Publications Office of the European Union, 2023), pp. 126-143

The second half saw the growth of vast landfill sites designed to absorb the rubbish of everyday life, which were located on the margins of our towns and cities.

These hypertrophied extensions of consumer life remained, for the most part, comfortably out of sight to most of us, ensuring that we could easily forget what we were throwing away. At the same time as all this rubbish was being spirited away to these places, it was also being valued for other reasons by a wide range artists, and often associated with new aesthetic ideas that attached a different significance to the leftovers of everyday life. This article looks at the work of a number of European movements and artists.

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Surf Life

'Surf Life, ou l’excès à l’ère du numérique' in Techniques & Culture, Vol. 65/66 (2016): ‘Repair the World’, pp. 494-501.

‘Surf Life’ is term that attempts to describe some of the characteristics and consequences of what I suggest is a new ecology of remembering and forgetting. The forms it takes, and the consciousness it seems to give rise to, cannot be separated from the ways in which we come to live in, and with, time and place as they are conditioned by the new digital technologies that suffuse everyday life. In relation to the everyday habits of contemporary western life, in particular, this ‘surf life’ might be thought of as a kind of ‘surfacing’ – a disengagement from the consequences of living through an excess of present moments that are quickly rendered obsolete by the arrival of new fascinations.

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